MILAN
Moncler has built its reputation on a simple idea: that a puffer jacket can be an icon. Its Re/Icons project, now in its latest edition, takes that idea literally. This season's campaign, photographed and directed by Gabriel Moses, puts Cher, JENNIE and Grace Jones in the brand's archive down jackets under the tagline "From the summit to the stage." And in a fresh development this week, Hypebeast reports a "Pioneers in Moncler" Re/Icons campaign with a visual film featuring unreleased music from André 3000, extending the cast of cultural trailblazers.
A note on sourcing: the main Re/Icons launch dates to mid-October, so this piece treats it as an ongoing story with a new chapter. The André 3000 element rests on a single summary from Hypebeast, and details beyond it are not yet widely reported.
Four jackets, four histories
Re/Icons reworks four archive styles, and each carries a story. The Karakorum traces to 1954, when it was made for Italian K2 expedition members Achille Compagnoni and Lino Lacedelli, originally in raw cotton filled with down. The 2026 version uses a glossy 10-denier micro ripstop in a rounded, enveloping shape, keeping the removable hood, double snap-button front and internal shoulder straps that let it be carried like a backpack.
The Verone, from the 1980s, became a signature of Milan's Paninari youth scene. It returns in lightweight matte micro cotton with a relaxed fit. The Himalaya debuted in 2009 as a short down jacket, with design roots in the 1950s when Moncler equipped mountaineer Lionel Terray for his Makalu ascent. And the Tibb, a 1980s vest, is now reversible, in recycled matte fabric or wool gabardine, with its boudin quilting intact.
Three pioneers, one logic
The campaign's conceit parallels first ascents with first artists. According to nss magazine, the images are inspired by archival portraits of Terray, with each star surrounded by a crowd yet standing out as the only one who does. Cher wears a white or cream Himalaya, with a yellow scarf evoking the scarf-dress Bob Mackie designed for The Cher Show. JENNIE wears a black Karakorum with a caramel Tibb vest, and in other looks an off-white puffer skirt, ribbed top and balaclava. Grace Jones wears a Karakorum in deep violet, nodding to her work with Jean-Paul Goude.
Moncler describes the stars as turning the vintage-inspired pieces into "symbols of originality, ambition, and lasting impact." The nss article adds that the "Re" signals "not about nostalgia, but about a reinterpretation," a useful reminder that the project is as much about the future of the archive as its past.
Beyond the jacket
This edition expands the line significantly. For the first time, Re/Icons includes full ready-to-wear and alpine accessories: windbreakers, T-shirts, pants, skirts, beanies, balaclavas, silk-twill foulards and titanium-and-leather sunglasses based on vintage climbing goggles. Design details run throughout, including tonal "camaïeu" layering of shades from one colour family, metal pocket logos inspired by alpine souvenir pins, and an interior label reproducing Vittorio Sella's 1909 photograph of K2.
Colour choices are broad. The Karakorum comes in black, red and petrol blue for men and black and purple for women; the Verone spans navy, grey and black for men and pastel pink, lilac and black for women. Prices were not stated in the sources reviewed.
A rollout built like an expedition
The launch was staged in steps. A preview took place October 5 and 6 at Il Rifugio, a private space inside the Champs-Élysées store, during Paris Fashion Week, followed by a Champs-Élysées pre-launch on October 8. On October 14 came a pop-up at Isetan in Tokyo and a pre-launch at Moncler Fifth Avenue, and global availability followed on October 15 at select stores and on moncler.com. The staggered release mirrors how luxury houses build anticipation and keep a product in conversation for weeks.
Why it works
Casting is the clever part. Cher, JENNIE and Grace Jones span generations and continents, from a screen and stage legend to a K-pop star to a disco-era provocateur who rewrote the rules of image. Nss magazine notes the audience for them "recognizes no geographical or cultural boundaries," exactly the global reach a brand like Moncler wants. Adding André 3000, an artist famed for refusing to repeat himself, deepens the pioneer theme.
There is a business logic too. Reissuing archive styles gives a brand instant authenticity, and pairing them with famous faces turns a technical garment into a cultural object. In a winter season when consumers are cautious, an icon that has survived seven decades feels like a safe investment.![]()
What this means for you
If you are shopping for a winter coat, Re/Icons offers a lesson in reading a jacket. The 10-denier ripstop Karakorum is the sleek, glossy option; the cotton-nylon Himalaya and cotton Verone are softer and more relaxed. The reversible Tibb vest gives two looks in one, a smart layer for transitional weather. Whether you buy Moncler or not, the broader trend is clear: archive revivals, tonal dressing and outerwear as a style statement are going nowhere.
It is also worth pressing on the real price tag before falling for the film. Luxury down is a considerable outlay, and similar silhouettes exist at every price point.
The view from the summit
Moncler's Re/Icons has become a fixture of the autumn calendar because it understands that icons need renewing. The mountains supplied the story; Cher, JENNIE, Grace Jones and now André 3000 supply the attitude. The message of the campaign, reinterpretation rather than nostalgia, is one fashion could always use more of.